quarta-feira, 26 de dezembro de 2012

Os melhores álbuns de 2012

50- Aidan Baker - The Spectrum of Distraction

49- John Talabot - fin

48- Willis Earl Beal - Acousmatic Sorcery

47- Grimes - Visions

46- Dry The River - Shallow Bed

45- Wild Nothing - Nocturne

44- Death Grips - No Love Deep Web

43- iamamiwhoami - kin

42- The Evens - The Odds

41- Walk The Moon - Walk The Moon


40- Ty Segall & White Fence - Hair

39- Zammuto - Zammuto

38- Mount Eerie - Ocean Roar

37- Lotus Plaza - Spooky Action At A Distance

36- Andrew Bird - Break It Yourself

35- Memoryhouse- The Slideshow Effect

34- The Jane Austen Argument - Somewhere Under The Rainbow

33- Chairlift - Something

32- Tennis - Young & Old

31- Perfume Genius - Put Your Back N 2 It


30- Soap&Skin - Narrow

29- Wreck and Reference - No Youth

28- Mount Eerie- Clear Moon

27- The Bad Plus - Made Possible

26- Holograms - Holograms

25- Animal Collective - Centipede Hz

24- Bat For Lashes - The Haunted Man

23- Foxygen - Take The Kids Off Broadway

22- Julia Holter - Ekstasis

21- The Men - Open Your Heart


20- Lower Dens - Nootropics

19- Dirty Projectors - Swing Lo Magellan

18- Spiritualized - Sweet Heart Sweet Light

17- Passion Pit - Gossamer

16- Ariel Pink's Haunted Graffiti - Mature Themes

15- First Aid Kit - The Lion's Roar

14- The Tallest Man On Earth - There's No Leaving Now

13- Antony & The Johnsons - Cut The World

12- Swans - The Seer

11- Mac Demarco - 2


10- Cloud Nothings - Attack On Memory



9- BadBadNotGood - BBNG2



8- Japandoids - Celebration Rock



7- Fiona Apple - The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do



6- Grizzly Bear - Shields



5- Death Grips - The Money Store



4- Beach House - Bloom



3- Angel Olsen - Half Way Home



2- of Montreal - Paralytic Stalks



1- Amanda Palmer & The Grand Theft Orchestra - Theatre Is Evil



quarta-feira, 16 de maio de 2012

Analogue Love # 9







































segunda-feira, 7 de maio de 2012

As únicas palavras que fazem sentido nestes serões e durante os banhos de água fria



I was raised up believing I was somehow unique,

Like a snowflake distinct among snowflakes,

Unique in each way you can see.

And now after some thinking, I'd say I'd rather be

A functioning cog in some great machinery serving something beyond me.

But I don't, I don't know what that will be.

I'll get back to you someday soon, you will see.

What's my name? What's my station? Oh, just tell me what I should do.

I don't need to be kind to the armies of night,

That would do such injustice to you.

Or bow down and be grateful and say "sure take all that you see"

To the men who move only in dimly lit halls and determine my future for me.

And I don't, I don't know who to believe.

I'll get back to you someday soon, you will see.

If I know only one thing, it's that everything that I see

Of the world outside is so inconceivable, often I barely can speak.

Yeah, I'm tongue-tied and dizzy and I can't keep it to myself.

What good is it to sing helplessness blues?

Why should I wait for anyone else?

And I know, I know you will keep me on the shelf.

I'll come back to you someday soon, myself.

If I had an orchard I'd work till I'm raw...

If I had an orchard I'd work till I'm sore...

And you would wait tables and soon run the store.

Gold hair in the sunlight, my light in the dawn.

If I had an orchard I'd work till I'm sore.

If I had an orchard I'd work till I'm sore.

Someday I'll be like the man on the screen...



Helplessness Blues, Fleet Foxes

segunda-feira, 20 de fevereiro de 2012

Analogue Love # 8